
Since moving to Los Angeles from France in 2017, I’ve been incredibly fortunate to immerse myself in the vibrant jazz community here. As both a classical pianist and jazz vocalist, I’ve always been drawn to music that challenges me—and inspires me. That’s why I’m so excited (and deeply honored) to share my newest album with you: New Jazz Standards Vol. 7 – The Music of Carl Saunders.
This project means the world to me. It’s not just my second album—it’s a heartfelt tribute to my dear friend, the brilliant trumpeter and composer Carl Saunders. Carl wasn’t just a musical genius; he was someone who believed in me, who welcomed me into his world, and whose music continues to move and inspire me every day.
I first met Carl thanks to trombonist Scott Whitfield, who brought me to Carl’s home for a jam session. Carl had a reputation for having high standards, and I’ll never forget how thrilled I was to be welcomed into that intimate circle of artists and friends. That moment sparked a creative journey that would ultimately lead to this album.
Carl had been searching for the right vocalist to take on Volume 7 of his New Jazz Standards series—and I’m incredibly touched that he chose me. We began working on it together, but sadly, he passed away in 2023 before we could complete it. This album is my way of honoring his legacy and sharing his beautiful, clever, and harmonically rich compositions with the world.
Joining me on this record are some of the finest musicians in Southern California—friends and legends I deeply admire: Roy McCurdy, John Clayton, Josh Nelson, Rickey Woodard, Ron Stout, Larry Koonse, Ken Wild, Scott Whitfield, and special guests John Proulx and Ken Peplowski. Their artistry helped bring Carl’s music to life in the most joyful and soulful way.
Each track on the album tells a story. I chose “August in New York” to open the album because of its swinging energy and great lyrics by Pat Tuzzolino. “High on Blueberry Pie” holds a special place in my heart—Carl used to sing it to me while I accompanied him on piano. Just thinking about those moments brings a smile to my face.
“Theme for Jobim” pushed me to stretch rhythmically and harmonically, and I loved diving into the lyrical phrasing on “Feels Like Home”—a tender duet with John Clayton. “Looking at You” feels like surfing a beautiful harmonic wave, and I had a blast channeling a Basie-style vibe on “You’re So Cute.”
One of the most emotional moments for me was recording “Always in My Heart,” a ballad I dedicate to those who are grieving. And I close the album with “The Minute Waltz,” performed as a solo piano tribute to the hours Carl and I spent together, bonding over Chopin and storytelling.
This album is filled with love, laughter, and memories. It’s a celebration of Carl’s genius, his wit, his generosity—and our friendship. I’m so grateful to everyone who made this project possible, and to all of you who continue to support my musical journey.
Thank you for listening. I hope these songs move you the way they moved me.
With love and swing,
Marina